Hello, and welcome to the 186th episode of "Greg Tulonen Secrets."
I've tried not to make the GTS series a collection of grievances or a compendium of grudges, mostly because, well, how boring would that be? Sure, I've chronicled the occasional injustice, but for the most part, I've tried to share stories that were interesting and/or entertaining.
Still, there's a danger that today's GTS will come across as the petty settling of an old score. (My older child still talks about that time his third grade teacher was unfair to him, and believe me when I tell you that I hope to someday never hear that story again.) I don't want this GTS installment to come across like that, but despite my best efforts, it might.
Fair warning.
A couple weeks after I started pursuing my Masters in Fine Arts (MFA) at UMass Amherst, my dear friend Jeff Gilbert was killed by a hit-and-run driver in New York City. Shortly thereafter, I guess to help process my grief, I wrote a thinly fictionalized account of his funeral in Abilene, Texas, titling the story "Ash Paradise," which was taken from a sort-of poem Jeff had once drunkenly scrawled on the back of a takeout menu, excerpted below:
Arrogant Questions
Untie the knot. Where does it go?
Rope heaven?
Cut off John the Baptist's head. Where does the revelation go?
Onto the plate?
Stamp out the flames. Where does the fire go?
Ash paradise?
My first draft of "Ash Paradise" was rough and raw and certainly in need of revision, but it helped me emotionally, I think, to have written it.
Flash forward to a writing workshop I signed up for, taught by a professor who'd been mentored by the renowned editor Gordon Lish. Lish, who had discovered (and heavily edited/rewritten) Raymond Carver, was famous for his grueling and "hellish" writing workshops at Columbia University, workshops in which he would interrupt, berate, and insult his students. (He'd been so taken with my professor, however, that he'd allowed her to read her entire 80-page novella in front of the class.)
On the first day of my workshop, the professor passed around a sign-up sheet for students to choose the dates they'd be submitting stories for review. I was sitting directly to her right, but she passed it left, and when it got to me, I saw that no one had signed up for the next class. There were other, later slots open, but I figured SOMEBODY had to go first, so I wrote my name down in the first slot and submitted my draft of "Ash Paradise."
The next class, my professor, inviting no comment from students, spent the first two hours going over my story line by line, calling it out for its ineptitude and "fraudulence" (a word she kept coming back to). Now, there's evidence that such a teaching approach can be effective, and it's supported by popular culture (see the films "The Paper Chase" and "Whiplash," among many others, all featuring stern, hectoring educators and coaches), but I can tell you that it soured me on writing anything for about a year, and I still consider it the worst educational experience of my life.
Also, if I may: This was pretty clearly an autobiographical story about a terrible (and recent) event, which, I must emphasize, should NOT make it immune from criticism, but maybe... tread lightly? My number-one goal when I was teaching writing was always "first do no harm." This was clearly not my professor's number-one goal. (In her written comments on my story, she advised me to throw it away and make no attempt to revise.)
After her two-hour demolition, she opened the floor for class discussion, but I think everyone was so shell-shocked, only the most tepid of exchanges followed. After class, my classmates took me out for a drink.
The next day, the professor approached me at a school function and, with an airy giggle, lightly apologized to me for the previous night's class. I assured her that wasn't necessary, but really, the damage had already calcified.
A few years later, shortly before graduation, I won (for a different story) the Harvey Swados Prize in fiction writing, an award open to graduating UMass MFAers. It had been judged that year, coincidentally enough, by Gordon Lish himself.
This was a prestigious award. Traditionally, the Harvey Swados winner would deliver a 30-minute reading at the culmination of the year-end awards ceremony, but the day before the ceremony, that same professor called me to ask if I would be okay with giving only a five-minute reading, so the ceremony could also showcase the work of a select group of other students of her choosing. I said yes. Of course I said yes. What else could I say? But seriously: WTF?
I should acknowledge, I guess, that this professor was extremely helpful to many other students I love and admire (including some folks who may be reading this now), but for me, not so much. I believed then, as I do now, that she neither liked nor respected me (or my writing).
Here's a petty postscript: That professor had—coincidentally—attended (about a decade before me) the same undergraduate school I had, Middlebury College. So when, shortly after receiving my MFA, I won the annual Middlebury College alumni fiction writing contest (for yet another story), it pleased me to think about her receiving in her mailbox the Middlebury alumni magazine containing my prize-winning story. (Of course, as revealed in
GTS #94, it's entirely possible she never noticed it; plenty of people didn't, including my own mom.)
Here's another postscript, not as petty, but certainly satisfying: When a much later draft of "Ash Paradise" was accepted for publication, this is the voicemail I received: "Hi, Greg! This is Ashley from [garbled, hissing, static]. We've been reading your story, 'Ash Paradise,' and we absolutely love it! We want to include it in our next issue, so please call me back ASAP at 608-[garbled, hissing static] to let us know if it's still available. Thanks!"
At that time, I had "Ash Paradise" out to about seven different journals (policies against simultaneous submissions be damned), so it took a bit of frantic detective work to figure out which one had accepted it. "608" is the area code of Madison, Wisconsin, and sure enough, it turned out to be The Madison Review, which published "Ash Paradise" in its Winter 2004 issue.
This has been "Greg Tulonen Secrets." Tune in on Saturday for a very special, adults-only episode (ooh la la!), and then we'll be back to our regularly scheduled programming on Tuesday